WPO_logoWhat is the future of photography education?

The World Photography Organisation and Sony publish white paper

19 February: On the same day that the ten finalists of the Student Focus competition are announced, the World Photography Organisation, in association with Sony, publish a thought-provoking white paper on the future of photography education.

Born out of discussion with 19 of Europe's leading photography professors alongside Virginia Morrison, Executive Director of Society for Photography Education, and photographer Tom Ang, the aim of the white paper is to create a global dialogue on photographic teaching.

Both WPO and Sony are committed to supporting emerging photographic talent and the white paper was created to benefit institutions, educators and students.

The full report can be seen here (pdf) but, in summary, the white paper includes:

Core competencies

  • All participants in the discussion highlighted the lack of consistency across the teaching and practice of photography in school.
  • To move towards a more consistent teaching, a list of core competencies was compiled and included in the paper. The competencies range from the history of photography to analytical and communications skills; finishing and presentation skills to the context of photography.

Digital era

  • There is a pressing need for photography education to embrace the digital era. The photography industry is changing massively, from manipulation techniques through to the use of multi-media, and educational courses must reflect this.
  • The challenge for educators is to have adequate resources to make as many materials and options available to their students as possible.
  • Students must be empowered and aware of the industry they want to make a career in. In addition to technical knowledge about photography, students must be aware of social media, how to promote themselves as a brand and how to protect themselves and the copyright of their images in the current climate.

Making and teaching art

  • Experiential learning is absolutely vital for all students of photography. As is an understanding and though exploration of ethics –including image manipulation, privacy, copyright and cultural issues.
  • Students must also have a visual literacy and have access to resources beyond what is available on the internet, for example galleries, exhibitions, library research, etc.

The white paper will be distributed to the 230 universities and institutions engaging with the Sony World Photography Awards Student Focus programme.